The 82nd Academy Awards
February 2, 2010
Hello all.
Actor in a Leading Role
Jeff Bridges in “Crazy Heart”
George Clooney in “Up in the Air”
Colin Firth in “A Single Man”
Morgan Freeman in “Invictus”
Jeremy Renner in “The Hurt Locker”
Actor in a Supporting Role
Matt Damon in “Invictus”
Woody Harrelson in “The Messenger”
Christopher Plummer in “The Last Station”
Stanley Tucci in “The Lovely Bones”
Christoph Waltz in “Inglourious Basterds”
Actress in a Leading Role
Sandra Bullock in “The Blind Side”
Helen Mirren in “The Last Station”
Carey Mulligan in “An Education”
Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
Meryl Streep in “Julie & Julia”
Actress in a Supporting Role
Penélope Cruz in “Nine”
Vera Farmiga in “Up in the Air”
Maggie Gyllenhaal in “Crazy Heart”
Anna Kendrick in “Up in the Air”
Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”
Animated Feature Film
“Coraline” Henry Selick
“Fantastic Mr. Fox” Wes Anderson
“The Princess and the Frog” John Musker and Ron Clements
“The Secret of Kells” Tomm Moore
“Up” Pete Docter
Art Direction
“Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
“Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
“Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
“The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray
Cinematography
“Avatar” Mauro Fiore
“Harry Potter and the Half-Blood Prince” Bruno Delbonnel
“The Hurt Locker” Barry Ackroyd
“Inglourious Basterds” Robert Richardson
“The White Ribbon” Christian Berger
Costume Design
“Bright Star” Janet Patterson
“Coco before Chanel” Catherine Leterrier
“The Imaginarium of Doctor Parnassus” Monique Prudhomme
“Nine” Colleen Atwood
“The Young Victoria” Sandy Powell
Directing
“Avatar” James Cameron
“The Hurt Locker” Kathryn Bigelow
“Inglourious Basterds” Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels
“Up in the Air” Jason Reitman
Documentary (Feature)
“Burma VJ” Anders Østergaard and Lise Lense-Møller
“The Cove” Nominees to be determined
“Food, Inc.” Robert Kenner and Elise Pearlstein
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
“Which Way Home” Rebecca Cammisa
Documentary (Short Subject)
“China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
“The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
“The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
“Music by Prudence” Roger Ross Williams and Elinor Burkett
“Rabbit à la Berlin” Bartek Konopka and Anna Wydra
Film Editing
“Avatar” Stephen Rivkin, John Refoua and James Cameron
“District 9” Julian Clarke
“The Hurt Locker” Bob Murawski and Chris Innis
“Inglourious Basterds” Sally Menke
“Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz
Foreign Language Film
“Ajami” Israel
“El Secreto de Sus Ojos” Argentina
“The Milk of Sorrow” Peru
“Un Prophète” France
“The White Ribbon” Germany
Makeup
“Il Divo” Aldo Signoretti and Vittorio Sodano
“Star Trek” Barney Burman, Mindy Hall and Joel Harlow
“The Young Victoria” Jon Henry Gordon and Jenny Shircore
Music (Original Score)
“Avatar” James Horner
“Fantastic Mr. Fox” Alexandre Desplat
“The Hurt Locker” Marco Beltrami and Buck Sanders
“Sherlock Holmes” Hans Zimmer
“Up” Michael Giacchino
Music (Original Song)
“Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
“Take It All” from “Nine” Music and Lyric by Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett
Best Picture
“Avatar” James Cameron and Jon Landau, Producers
“The Blind Side” Nominees to be determined
“District 9” Peter Jackson and Carolynne Cunningham, Producers
“An Education” Finola Dwyer and Amanda Posey, Producers
“The Hurt Locker” Nominees to be determined
“Inglourious Basterds” Lawrence Bender, Producer
“Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
“A Serious Man” Joel Coen and Ethan Coen, Producers
“Up” Jonas Rivera, Producer
“Up in the Air” Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers
Short Film (Animated)
“French Roast” Fabrice O. Joubert
“Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
“The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
“Logorama” Nicolas Schmerkin
“A Matter of Loaf and Death” Nick Park
Short Film (Live Action)
“The Door” Juanita Wilson and James Flynn
“Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
“Kavi” Gregg Helvey
“Miracle Fish” Luke Doolan and Drew Bailey
“The New Tenants” Joachim Back and Tivi Magnusson
Sound Editing
“Avatar” Christopher Boyes and Gwendolyn Yates Whittle
“The Hurt Locker” Paul N.J. Ottosson
“Inglourious Basterds” Wylie Stateman
“Star Trek” Mark Stoeckinger and Alan Rankin
“Up” Michael Silvers and Tom Myers
Sound Mixing
“Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
“The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
“Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
“Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
“Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson
Visual Effects
“Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
“District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
“Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Writing (Adapted Screenplay)
“District 9” Written by Neill Blomkamp and Terri Tatchell
“An Education” Screenplay by Nick Hornby
“In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
“Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
“Up in the Air” Screenplay by Jason Reitman and Sheldon Turner
Writing (Original Screenplay)
“The Hurt Locker” Written by Mark Boal
“Inglourious Basterds” Written by Quentin Tarantino
“The Messenger” Written by Alessandro Camon & Oren Moverman
“A Serious Man” Written by Joel Coen & Ethan Coen
“Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy
Just a quick update after all the nomination madness this morning. Due to the fact that almost all of the categories were predictable, I only wanted to mention the Best Picture nominations. Here they are accompanied with their score on Rotten Tomatoes….
“Avatar” — 82%
“The Blind Side” — 70%
“District 9” — 90%
“An Education” — 95%
“The Hurt Locker” — 97%
“Inglourious Basterds” — 89%
“Precious: Based on the Novel ‘Push’ by Sapphire” — 91%
“A Serious Man” — 87%
“Up” — 98%
“Up in the Air” — 90%
Thoughts, everyone? Here’s to hoping The Hurt Locker comes out winning! Thank you for reading!
Sunday – January 24th, 2010
January 24, 2010
Hello all.
Today is championship Sunday, which is my favorite day of football of the year. Also, the Flyers are playing the Penguins on NBC here in a few minutes. Today will (hopefully) be a great day for sports. This post may be more personal than those that follow this site are familiar with due to the fact that I am making a decision on whether or not to keep my personal blog. “Keep” is probably not the right word; I should say update as frequently as I do. What I am leaning towards is keeping it so I am able to link to things that I do not want to clutter this site. It’s a difficult decision because I have had the other site for two years and to be honest I get a good deal of views per day over there as well.
As a huge fan of Denis’ Beau Travail and Jonathan Rosenbaum, I really enjoyed this article. Check it out if you’re a fan of the film and if you haven’t seen, then you should treat yourself to it. I have a bit of time off this week, at least in comparison to last week’s work-filled week, so I will be working through a bunch of films. I am starting to work my way through Bergman and I will keep you all updated on what I am watching and thoughts. I started with The Seventh Seal and was absolutely blown away.
Here are my last.fm stats for last week (people who follow my personal blog will be familiar with this as I post it on Sunday/Monday over there)…

This upcoming week’s playlist will have both of Los Campesinos! previous albums and will feature their newest on Tuesday when I pick it up. I have been a huge The Good Life kick lately, so I will probably include their Help Wanted Nights as well.
Thanks for reading this quick update and I hope everyone has a great Sunday.
Friday – January 15th, 2010
January 15, 2010
Hello all.
I thought I would post some random sites and links that I have enjoyed the past week. I would also like to put out a friendly reminder to follow me on Twitter, be it my personal or this site’s account. I personally recommend checking out Closely Watched Trains (a running list of films the writer gets through on the They Shoot Pictures, Don’t They? list) and Film Fidelity (the writer there is currently going through 2009 releases). I read Commentary Track daily and always enjoy what’s written there.
This sort of post won’t be recurring, it’s just an attempt at getting something written seeing as how I have yet to go back to my Year 2000 in Film project. To be fair to myself, I am working on a certain piece, but it’s been a couple of months since I have seen the film so I am having a bit of difficulty with it. It should be up on Monday morning (no promises though!). I hope everyone has a good weekend.
Thank you for reading!
Random – December 29, 2009
December 29, 2009
Hello all.
My unofficial vacation is over. I took a bit of time off from everything: obviously this site, work, and writing in general. Seeing as how today I returned to work, it only makes sense to continue everything else. In this post I would like to set out what I am attempting to get accomplished with this website in the New Year and any other general information I want to put out there.
Naturally, the “project” system I have gone by will stick, and hopefully I will be consistently better about getting through new films but at the same time, I want to start reviewing newer films occasionally and put forth my opinions on some film-related topics. As it stands, I will be starting back with the “Year 2000 in Film” project on Wednesday and will be looking to have that done as soon as I can.
I am slowly establishing my New Year’s Resolutions and only one has to do with film so I thought I would put it out here. Last year, I decided to try and watch three hundred and sixty-five movies in 2009, a goal I have passed by nine, as I am re-watching The New World as we speak which puts me at three hundred and seventy-four. This may be the most beautiful film that I have seen on Blu-Ray to date, keep in mind I have yet to pop in either Inglourious Basterds or District 9. I could not be more excited for The Tree of Life and Criterion’s BD release of Days of Heaven. My Resolution is that of reducing that number to around one hundred and fifty (certainly not a limit but I am honestly hoping that I do not reach three hundred next year). We’ll see how it goes.
My holidays were great and I hope everyone else’s was too. Thank you for the brief, but great, 2009 we have shared together. I look forward to the new year/decade and what it has to offer.
Thank you for reading!
High Fidelity (Stephen Frears, 2000)
December 20, 2009

Hello all.
I still need to finish off the Best Picture nominees from the year 2000 but High Fidelity came from Netflix and I wanted to watch something lighthearted that evening, so it won out. I love this film, although I have only seen it two or three times. My first viewing really should not count because I was twelve and unable to understand a good bit of the humor or substance. I think this may be the first time I have ever discussed the film in any way; I really do not think I have before whether it be in conversation or my other blog.
I am not typically a fan of films that are “narrated,” except for situations where it is necessary and/or makes the film that much better. This film is certainly an example of that case (another film that comes immediately to mind is Layer Cake) due to the personal aspect of the film. The viewer is learning as much as possible about Rob Gordon, and there is no better source than Rob Gordon himself. High Fidelity has so many great quotable lines, but one of my very favorites is not as funny as most of the main ones, but an extremely sharp point, I suppose it helps that I agree with it. “I agreed that what really matters is what you like, not what you are like… Books, records, films – these things matter. Call me shallow but it’s the fuckin’ truth, and by this measure I was having one of the best dates of my life.”I sat on this film for a few days after watching it. I wanted to reflect on what the film means to me at this stage in my life. In the past, I have appreciated it as a great film (I consider it at least an eight out of ten) but seeing at this point in my life is definitely different. I was concerned that it would affect, most likely negatively, my judgment of the film.
High Fidelity is such a great look into a personality that I am all-too-familiar with. I am not like Rob Gordon but I have known and do know several people who are extremely similar (and even some who are similar to Dick and Barry, Gordon’s employees). I unfortunately have not read the book but I have added it to my list of books to read in 2010. I have seen this film pop up in several decade lists so far, but interestingly, I have seen the film that High Fidelity beat out to get here even more frequently (and much higher on people’s lists). For this reason, I am considering expanding this year to sixteen films in order to eliminate the possibility of a glaring omission.
This is a great film, and if I were to make a list of Top Film Characters of the Decade, I would be inclined to include Rob Gordon on that list. He is entertaining, at least sort of relatable (more importantly, this connection is far from necessary), and interesting. I am interested in other people’s thoughts on this film as I am a definite fan but as I said before, I have never discussed it with anyone.
Thank you for reading!
#001 – Introduction to the Project
October 25, 2009
Hello all.
For eighteen years I lacked a real passion. I may have gotten excited from time-to-time for things such as sports (primarily baseball and hockey) or a particularly good/interesting book. As a high school senior, taking a film class just to fill my schedule, I was exposed to two movies that had a profound effect on me: Taxi Driver and Unforgiven. Coincidentally, these films were part of an out-of-class assignment due to my lack of work in the class (as a senior I was naturally lazy). From that day forward, I began asking around various family members as to find out what films I should see- at the time more importantly what I should have already seen- and compiled a list. I started a Netflix account and went to work. That being said, three years have passed and exposure to a rough estimate of about six hundred films, and the passion has stayed. Rarely do I ever find myself wishing that I was not so passionate about cinema.
Out of this obsession grew two more passions: DVD collecting and auteur theory. Just about every day, I browse various websites looking for the latest on DVD news and bargains. I have accumulated roughly four hundred DVDs in just about two years of serious collecting. For auteur theory, prior to any sort of formal film training, I found myself fascinated with how certain films from the same director could be so different and so similar at the same time. Auteur theory was later revealed to me through the various film courses I took throughout college, and the passion only continues to grow every day.
This website’s intention is to help further my love for cinema and to develop some form of writing skills. It took me almost a month to decide on the title Cherished Cinema. I should clarify by saying that I thought of the title almost immediately, found it to be “cheesy” but in the end, it best describes the reasoning behind this site. I love film, and I sincerely hope that the work posted on this site will help others love it as well.
This site will consist of various projects I intend on taking on (exploration of genres, directors, and particular years in cinema will be the primary focus) and sometimes film-related news. Recommendations are beyond welcome; always feel free to leave me thoughts/ideas in the comments or write me at thomasbalkcom@gmail.com.
Personal blog – thomasbalkcom.wordpress.com
Twitter – www.twitter.com/thomasbalkcom
Twitter (for this site) - www.twitter.com/cherishedcinema
Facebook – www.facebook.com/thomasbalkcom